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Nikon 17-55mm f/ 2.8G ED-IF AF-S DX Nikkor Zoom Lens

Nikon 17-55mm f/ 2.8G ED-IF AF-S DX Nikkor Zoom Lens


by Nikon
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Product Detail Information:
ASIN:B000144I2Q
Catalog:Photography
Binding:Electronics
Product Group:Photography
Product Type:CAMERA_LENSES
Brand:Nikon
Manufacturer:Nikon
Model: 2147
Part No: 2147
UPC: 018208021475
EAN: 0018208021475
Batteries Included: No
Lens Type: Zoom lens
Optical Zoom: 3.2 unknown-units
Maximum Focal Length: 55 mm
Minimum Focal Length: 17 mm
Autographed: No
Memorabilia: No


Features:
  • Constant f2.8 3.2x zoom lens developed exclusively for use with Nikon DX Format, optimized for Nikon digital SLRs
  • Dust and waterproof rubber sealing mount
  • High optical performance by aspherical lenses and ED glass elements
  • Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation
  • M/A mode for quick switching between autofocus and manual operation
Product Description:

3.2x zoom -- equivalent to 25.5mm to 85.5mm in 35mm format / f/2.8 brightness throughout zoom range Exclusive Silent Wave Motor enables ultra-high-speed autofocus with exceptional accuracy and super-quiet operation D-type design provides precise distance information for flash and ambient light exposure processes Fully compatible with D1, D1X, D1H, D2H and D100 Includes HB31 flower hood & CL1120 case

Current User Reviews:Back to top
More Review Pages:   1  2  3  4  5  6  7  8  9  10   Next >>  

Outstanding General Purpose Professional Grade Lens
9/19/2008
I purchased this lens along with the excellent 70-200 f2.8 VR for my D300 body. I prefer to use a flash as little as possible so the faster f2.8 lenses are a must for me. While there are other Nikon lenses in this zoom range for considerably less money, this one fits the needs of photographers requiring outstanding optics and the speed of a fixed aperture f2.8 lens. (Most kit lenses are variable aperture, meaning the aperture gets smaller as you zoom in.)

This lens is professional grade - built like a tank and relatively heavy. It is much larger than similar kit lenses and it weighs considerably more. The added weight actually provides a nice balance for the D300 with MB-D10 attached. The autofocus is very fast and precise and the images it produces are tack sharp. I use it as my everyday general purpose lens with outstanding results.

As others have stated, more expensive equipment doesn't necessarily mean you'll get better photos. The premium price reflects features and build quality. A $200 kit lens may very well provide comparable image quality at your backyard barbeque. But for those who need and will take advantage of the wider aperture in low light settings, this lens has few equals among standard zooms.

Bottom line: If you plan to take advantage of the wide aperture, this lens is an uncompromising must-have. It is an outstanding lens for those who need its capabilities. However, if most of your shots are outdoors in daylight, or you're used to using a flash inside, this lens might be more than you need. Save your money and get the excellent all purpose AF-S DX VR Zoom-NIKKOR 18-200mm f/3.5-5.6G IF-ED or the less expensive AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR.

Note that this is a DX lens and is intended to be used specifically on the smaller DX sensor cameras (everything from D40 to D300). Anyone with a D700 or other full frame (FX) sensor should look at the AF-S NIKKOR 24-70 f/2.8G ED. Of course anyone with an FX camera should already know that. But anyone considering upgrading to an FX camera in the near future might want to rethink purchasing this $1200 lens.
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Nikon 17-55 f2.8 ED-IF - A Superb Lens
8/18/2008
I initially owned the Nikon 18-200mm VR lens after purchasing my Nikon D300 body earlier this year. The 18-200 of course is a do-all mid-line lens and shouldn't be too critically compared to the professional line of Nikon glass. I used the 18-200 briefly as I became more familiar with my new D300 and found the images from the 18-200 were adequate, although not as crisp and sharp and high contrast as many of my Canon lenses had been before I migrated over to the Nikon side after 12+ years of using Canon gear. When I recently got a wedding shoot to do that required only available light and no flash for the entire 1 hour ceremony I now had the reason to consider purchasing the 17-55. Considering the Nikon 18-200 falls well short of a large enough aperture for low light photography and in reviews, is softer in resolution over-all anyway compared to the 17-55, this was my motivation to sell my 18-200 and pick up the Nikon 17-55 2.8 lens. (I've also added a 70-300mm Nikon VR to my bag to fill the telephoto void, I posted an excellent review on Amazon for this lens as well). The wedding was very recently shot, with most all images during the available light ceremony shot wide open at 2.8 due to the very low lighting in the church. Much to my relief, the images all turned out superbly and were very sharp, had excellent contrast and color saturation even wide open (I always shoot RAW for most important photo jobs). I was also absolutely delighted in the lens regarding how quick the focus was in the low light (basically instant with no hesitation as soon as the shutter release was pressed to take the photo. Many shots required a large shift in focus from far to very close-up and the 17-55 didn't fail me even once, frame to frame. In many cases I had to quickly raise the camera to my eye and fire off a burst with no lag time to spare for the focus to occur if I was to capture a perfect shot and not miss the opportunity. The lens never filed here even once. They say, you get what you pay for and considering the 17-55 goes for around the $1200 mark, you're getting the excellent optical quality that only a high end Nikon lens can give you. If you need to shoot in low light levels, or just simply want the very best images that your camera can give you, a high-end lens is the ONLY way to go. This lens will not dissapoint you once-so-ever.
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As Good as my Leica Summicron!!
8/4/2008
I have recently switched from a Canon 1D Mark IIN to a Leica M8. Then, missing all of the features of modern SLRs I switched again to a Nikon D300. A very good move! An almost perfect camera!

First off, I love big, fast glass that is sharp, sharp, sharp. And this lens delivers. I did a lot of research before buying this lens and it is the only lens I saw that had 5 stars on Amazon. I care a lot about what my peers think. So I took the plunge. I had this weekend to play with it and the results are stunning. It is as clear as any lens I have ever used. Just as good as my Leica Summicron 50. And I thought that lens would never be topped.

Some Leicaphiles may dismiss that statement and think I just didn't know how to use it. Maybe... but the Nikon 17-55mm DX lens should not be dismissed.

If you like fast lenses and don't care about weight (by the way, my previous lens was a Canon 24-70mm L f2.8 you wanna talk about weight!) than this is the lens to get.

Do your research and I think you'll ultimately wind up back here placing this in your shopping cart.

The lens is built like a tank and looks beautiful. It focuses like lightning and again, is sharp, sharp, sharp. I am adding images taken with this lens to my website [...] soon.

GET IT!!
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The best
7/15/2008
This is simply a splendid lens. On my D 200 it has produced miracles. Indeed color rendition is simply superb as is contrast. I thought initially it was going to be a bit expensive but my friendly camera store convinced me othewhise. It is a great allround lens that can be used for everything despite its size. The only problem is that at 17 mm and even before, the built-in flash on the D 200 will give a shadow of the lens on the bottom so yuo will probably be better off using a separate flash (that I have still not bought but that I now recommend all my friends to buy with these Nikons). I also never use the sun shade since the lens then simply becomes enormous. I had been using some older autofocus lenses on my D200 before but this has now become my standard lens.
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An amazing professional Nikon DX format lens
6/6/2008
This is my favorite lens for weddings and full length portraits. It is built for professionals, and can produce fantastic results, (in the right hands). Images are tack sharp with great color and contrast. The fast fixed aperture is perfect for low light photography at all zoom lengths. Great for those times when you can't use a flash.

Before making your purchase consider that any of the the affordable "kit" lenses, (with a nearly identical zoom range), may fit your budget better. For example, the Nikkor 18-55mm f/3.5-5.6G ED II is really a terrific lens. If you have any doubt, get the less expensive kit lens, and try to outgrow its usefulness by becoming a better photographer.

Like all photographic tools, the more expensive "professional" models won't make you a better photographer. This lens just allows you a greater range of flexibility in certain situations where the kit lens will fall a tad short. Every lens in the right hands can produce "professional" results, but this one will make the professionals life just a little easier. If you are truly ready for a lens like this, the Nikkor 17-55mm f/2.8G ED won't disappoint.
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